And thanks to its very straightforward user interface, even non‑musicians can put together plausible results given a suitable collection of pre‑recorded loops - although whether that's good thing is another matter! Other key features include an excellent audio groove quantise function, a range of audio effects, a video window for music‑to‑picture work and the ability to act as a Rewire host or client.Īs with most software updates, Acid Pro 7 offers a number of headline additions and numerous smaller refinements. This capability is now built into most mainstream DAWs, but Acid is pretty much where it started, and it is fair to say that the quality of this real‑time process in Acid is about as good as it gets. In essence, Acid Pro's long‑standing focus has been its ability to provide real‑time pitch‑shifting and tempo‑matching of audio loops. Those new to Acid Pro might like to look through the earlier SOS reviews (see the April 2005 and July 2006 issues) for some background, as all the previous functionality is retained in the new version.
So is Acid Pro now a viable alternative to products such as Cubase or Sonar for PC‑based musicians? Version 7 of Acid Pro is now with us and, again, the new features suggest that Sony are still keen to position Acid as a fully fledged DAW. Acid Pro has always offered a powerful and creative platform for loop‑based music creation, and with versions 5 and 6, Sony expanded its features for audio and MIDI recording. If you make extensive use of loops in your music, and you work on a PC, the odds are that you will have tried Acid at some point.
Acid Pro has always offered a fabulous environment for loop‑based music creation, but version 7 sees it making a bid for fully fledged DAW status.
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